After the frustration of milking every possible meaning out of 'clock', the next stage to the task was comparatively simple; expanding idea behind the one chosen image from the set of thirty two into a series of eight.
My chosen image (the domineering clock tower) suggested a dystopian vision of a world dominated by time and clocks; think 1984 except with Big Brother replaced by Big Ben. To communicate this idea, I explored using ink, watercolour and pens to create a murky, grimy atmosphere. The original from the 32 set was drawn using a thick graphite stick, but for small scale drawings I find graphite too messy, as it smudges so easily, whereas ink and watercolour are set once they dry, and spread in a natural smog like pattern when applied to wet paper.
Using fine pens also allowed me to add finer details, such as architectural lines and facial expressions , which may have been lost with the use of graphite, which is better in my experience for broader strokes.
Using fine pens also allowed me to add finer details, such as architectural lines and facial expressions , which may have been lost with the use of graphite, which is better in my experience for broader strokes.
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